Bibliography

Books & publications

Estate-listed books and catalogues, academic research on Sudjana Kerton, and the press and archival record that dates his life and work.

Art Turns. World Turns. Exploring the Collection of the Museum of Modern and Contemporary Art in Nusantara

2017

Art Turns. World Turns. Exploring the Collection of the Museum of Modern and Contemporary Art in Nusantara

Charles Esche, Agung Hujatnika, Aaron Seeto

Museum MACAN, Jakarta

Art Turns. World Turns. Jakarta: Museum MACAN, 2017. ISBN 978-602-50539-0-0. It reproduces Kerton's 'Akibat Pemboman di Lengkong Besar Bandung, 1945' (1979; 198 × 298 cm) and reads its distorted figures as suited to the 'Bandung Lautan Api' narrative. The exhibition-history section records Kerton in a 1945 Pelukis Front group with Barli, Abedy and Turkandi. It also records the group's 1946 Red Cross exhibition in Tasikmalaya, which later travelled to Yogyakarta. Verified from the publisher's catalogue PDF.

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Beyond the Dutch: Indonesia, the Netherlands and the Visual Arts, from 1900 until Now

2009

Beyond the Dutch: Indonesia, the Netherlands and the Visual Arts, from 1900 until Now

Meta Knol, Remco Raben, Kitty Zijlmans

Centraal Museum, Utrecht / KIT Publishers, Amsterdam

Knol, Raben & Zijlmans (eds.). Beyond the Dutch. Utrecht: Centraal Museum; Amsterdam: KIT, 2009. 200 pp. Catalogue of the Centraal Museum exhibition (16 Oct 2009 – 10 Jan 2010), in which Kerton was exhibited. p. 86 cites him among artists who joined the fighters and sketched the war. Verified from the AAA record and a Google Books snippet.

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Modern Indonesian Art: From Raden Saleh to the Present Day

2006

Modern Indonesian Art: From Raden Saleh to the Present Day

Koes Karnadi

Koes Artbooks, Denpasar (Bali)

Karnadi, Koes (ed.). Modern Indonesian Art: From Raden Saleh to the Present Day. Denpasar: Koes Artbooks, 2006. 366 pp.; ISBN 979-98704-0-2. Reference book of 305 artist entries; includes a Kerton entry, and its bibliography cites Tanah Airku (1990). Verified from the AAA record and a Google Books snippet (p. 333).

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The Lone Wolf: The Art of Sudjana Kerton

2006

The Lone Wolf: The Art of Sudjana Kerton

No author or editor named in library records; contents not yet inspected.

Honolulu: Honolulu Academy of Arts

The Lone Wolf: The Art of Sudjana Kerton. Honolulu: Honolulu Academy of Arts, 2006. 60 pp., illus., 25 × 25 cm; ISBN 0-937426-76-8. Published with the exhibition of 26 October 2006 – 7 January 2007 (University of Hawaiʻi library record).

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"Sejarah Terpisah": Sudjana Kerton dalam Seni Rupa Modern Indonesia / "Separate History": Sudjana Kerton in Indonesian Modern Art

2003

"Sejarah Terpisah": Sudjana Kerton dalam Seni Rupa Modern Indonesia / "Separate History": Sudjana Kerton in Indonesian Modern Art

Aminudin T.H. Siregar, Dikdik Sayahdikumullah, Nurdian Ichsan, Herry Dim

Sanggar Luhur, Bandung

Siregar, Aminudin T.H., et al. "Sejarah Terpisah": Sudjana Kerton dalam Seni Rupa Modern Indonesia / "Separate History": Sudjana Kerton in Indonesian Modern Art. Bandung: Sanggar Luhur, 2003. xvii, 187 pp. Bilingual essays that place Kerton within the historiography of Indonesian modern art and of the Bandung school (mazhab Bandung). Chapters by Siregar, Sayahdikumullah, Nurdian Ichsan and Herry Dim, plus Ridi Winarno's interview with the artist. Verified from NLA and AAA catalogue records; text not read. The book is dated 2003; the related exhibition at Sanggar Luhur was July–Aug 2004 (IVAA document dated 30 Jul 2004).

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"Di dalam oplet" Sudjana Kerton: karya-karya historis kehidupan sehari-hari di atas kertas — menampilkan untuk pertama kali reproduksi dari 19 lukisan yang dicuri / Sudjana Kerton's "Anatomy of an Oplet": historical works of everyday life on paper — displaying for the first time reproductions on canvas of the 19 stolen paintings

2001

"Di dalam oplet" Sudjana Kerton: karya-karya historis kehidupan sehari-hari di atas kertas — menampilkan untuk pertama kali reproduksi dari 19 lukisan yang dicuri / Sudjana Kerton's "Anatomy of an Oplet": historical works of everyday life on paper — displaying for the first time reproductions on canvas of the 19 stolen paintings

Exhibition catalogue, Cemara 6 Galeri, Jakarta. No author visible in the index record.

Cemara 6 Galeri, Jakarta

"Di dalam oplet" Sudjana Kerton / Sudjana Kerton's "Anatomy of an Oplet". Jakarta: Cemara 6 Galeri, 2001. Exhibition catalogue that, per its title, first displayed canvas reproductions of the 19 paintings stolen in 1997, making it a primary source for the /stolen register. Title verified in the University of Hawaiʻi Mānoa discovery index, which prints the Indonesian title with typos ('de atas', 'untik'); pagination and ISBN not seen.

Setengah Abad Seni Grafis Indonesia / Half a Century of Indonesian Printmaking

2000

Setengah Abad Seni Grafis Indonesia / Half a Century of Indonesian Printmaking

Enin Supriyanto

Kepustakaan Populer Gramedia & Bentara Budaya Jakarta, Jakarta

Supriyanto, Enin (ed.). Half a Century of Indonesian Printmaking. Jakarta: KPG / Bentara Budaya Jakarta, 2000. 188 pp.; ISBN 979-9023-43-2. It treats Kerton and Mochtar Apin as pioneers of Indonesian printmaking and discusses his cubist-influenced lithograph 'Kekasih' (c. 1952–56). It reproduces 'Homeward (Pulang)', dated there 1960–63. Relevant to SK-PR0001, which the estate's caption dates 1956. Read via Google Books search-inside.

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Revolusi & Evolusi Sudjana Kerton / The Revolution & Evolution of Sudjana Kerton

1999

Revolusi & Evolusi Sudjana Kerton / The Revolution & Evolution of Sudjana Kerton

Astri Wright, M. Dwi Marianto, Hilda Soemantri

Bandung: Sanggar Luhur

Tjandra Kerton (ed.), Revolusi & Evolusi Sudjana Kerton / The Revolution & Evolution of Sudjana Kerton. Bandung: Sanggar Luhur, 1999. 159 pp., bilingual. Published for the exhibition at Benteng Vredeburg, Yogyakarta (26 July – 7 August 1999). Essays by Astri Wright (“The Aesthetics of Revolution and the Birth of a Modern Artist”), M. Dwi Marianto of ISI Yogyakarta (“The Revolution and Evolution of Sudjana Kerton (The Wolf Who Walked Alone)”) and Hilda Soemantri (“Sudjana Kerton: Out of Sight, Out of Mind?”), with a chronology.

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Nasionalisme dan Perubahannya: Refleksi Karya Sudjana Kerton / Nationalism and its Transformations: Reflection on Works of Sudjana Kerton

1996

Nasionalisme dan Perubahannya: Refleksi Karya Sudjana Kerton / Nationalism and its Transformations: Reflection on Works of Sudjana Kerton

Rizki Akhmad Zaelani, Louise Kerton, Astri Wright

Jakarta, 1996 (printed by Seni Budaya Offset)

Nasionalisme dan Perubahannya: Refleksi Karya Sudjana Kerton / Nationalism and its Transformations. Jakarta, 1996. 192 pp., bilingual. The catalogue of the retrospective (22 November – 13 December 1996): the title essay by Rizki A. Zaelani, “Sudjana Kerton Yang Kukenal” by Louise Kerton, Astri Wright’s “Body Abroad, Soul at Home, and the Heart in Both Worlds (Sudjana Kerton in America)”, and a memoir by Rosihan Anwar.

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Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters

1994

Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters

Astri Wright

Oxford University Press, Kuala Lumpur

Wright, Astri. Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters. Kuala Lumpur: Oxford University Press, 1994. The standard English survey of the period. It discusses Kerton's revolution-era Pelukis Front activity (p. 86) and his socially observant painting (p. 184), and its bibliography (pp. 256–65) lists the Kerton literature to 1990. Kerton coverage verified indirectly through citing works and the reprinted bibliography; the book itself not inspected.

Indonesische moderne kunst / Indonesian Modern Art: Indonesian Painting since 1945

1993

Indonesische moderne kunst / Indonesian Modern Art: Indonesian Painting since 1945

Helena Spanjaard, Kusnadi, Astri Wright, Soedarso SP, Jim Supangkat

Gate Foundation, Amsterdam

Indonesische moderne kunst / Indonesian Modern Art: Indonesian Painting since 1945. Amsterdam: Gate Foundation, 1993. 110 pp.; ISBN 90-73230-03-9. Catalogue for the De Oude Kerk, Amsterdam exhibition (21 Apr – 28 May 1993), with a Kerton artist page. AAA dates the item 1992; NLA's 1993 matches the exhibition. Verified from the NLA and AAA records.

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The First Asia-Pacific Triennial of Contemporary Art

1993

The First Asia-Pacific Triennial of Contemporary Art

Queensland Art Gallery. Indonesia section by Jim Supangkat; foreword by Doug Hall; introduction by Caroline Turner.

Queensland Art Gallery, South Brisbane

Asia-Pacific Triennial of Contemporary Art [1st, 1993]. South Brisbane: Queensland Art Gallery, 1993. 120 pp.; ISBN 0-7242-5681-4. Kerton was one of nine Indonesian artists. Supangkat's Indonesia essay, reprinted in Kent, Hooker & Turner (eds.), Living Art (ANU Press, 2022), ch. 6, names Kerton and Djoko Pekik as social-realist painters of the poor. Verified from the AAA and Whitecliffe records and the ANU Press text.

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Tanah Airku / My Country, Indonesia

1990

Tanah Airku / My Country, Indonesia

S. Kerton

Bandung: Sanggar Luhur

Sudjana Kerton (with Louise Kerton), Tanah Airku (My Country) Indonesia — Paintings by S. Kerton. Bandung: Sanggar Luhur, 1990. 52 pp., with colour plates of works of 1978–89 and an afterword by Astri Wright.

Sudjana Kerton

1980

Sudjana Kerton

Issued by Dewan Kesenian Jakarta for the Taman Ismail Marzuki solo exhibition (21 Oct – 11 Nov 1980, dates per Tempo).

Dewan Kesenian Jakarta, Jakarta

Sudjana Kerton. [Jakarta]: Dewan Kesenian Jakarta, [1980]. [4] pp., ill., 22 cm. Small catalogue for Kerton's first Indonesian solo exhibition after his 1976 return, held at Taman Ismail Marzuki. Verified from the NLA record; not inspected.

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Seni Lukis Indonesia Masa Jepang sampai Lekra

Seni Lukis Indonesia Masa Jepang sampai Lekra

M. Agus Burhan

Burhan, M. Agus. Seni Lukis Indonesia Masa Jepang sampai Lekra. 156 pp. Mentions Kerton among Sticusa scholarship holders (p. 49) and in its account of the kerakyatan (people-oriented) line (p. 110). It reproduces the 1947 statutes of Peloekis Rakjat from the 'Koleksi Sudjana Kerton, Sanggar Luhur Bandung' (p. 140), evidence of the family archive's research value. Verified by Google Books search-inside.

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Academic research

University theses and published scholarship. Notes distinguish bibliographic records, introductory material and abstract summaries from full-text review. Inclusion here does not imply institutional endorsement or a citation of this catalogue.

Journal article · 2025

Analisis Lukisan “Kehidupan Desa” Karya Sudjana Kerton Berdasarkan Teori Semiotika Ferdinand De Saussure

Elsabila Aulia Khoirunissa Ica, Yayan Suherlan

Ica, E. A. K., and Suherlan, Y. (2025). Analisis Lukisan “Kehidupan Desa” Karya Sudjana Kerton Berdasarkan Teori Semiotika Ferdinand De Saussure. Dekonstruksi 11(04), 86–90. DOI: 10.54154/dekonstruksi.v11i04.334. Both authors are affiliated with Universitas Sebelas Maret. In the publisher’s abstract, the authors interpret the painting’s visual signs as expressions of village social and cultural values and the preservation of cultural identity. This summary is based on the abstract, not a full-text review. The article discusses a painting; matching it to an SK entry remains pending. It predates this catalogue and is not a citation of this catalogue.

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Thesis · 2014

Sketsa Sebagai Proses Kreatif Dalam Seni Lukis: Kajian Sketsa Dalam Estetika Deleuzian

Stanislaus Yangni

Stanislaus Yangni. Sketsa Sebagai Proses Kreatif Dalam Seni Lukis: Kajian Sketsa Dalam Estetika Deleuzian. Master’s thesis, ISI Yogyakarta, 2014. The available introductory chapter identifies Kerton within a broader study of sketches and the creative process. This is not a study exclusively of Kerton; the complete thesis has not been reviewed.

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Journal article · 2007

'Memories of my homeland': Sudjana Kerton talks about his art

Tony Donaldson

Donaldson, Tony. "'Memories of my homeland': Sudjana Kerton talks about his art." Orientations, June 2007, pp. 26–35. Article built around Kerton's own account of his art, published after the Honolulu retrospective. Verified from the Monash research record and OpenAlex; text not inspected.

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Thesis · 1993

Teknik lukisan Sudjana Kerton

Ridi Winarno

Ridi Winarno, Teknik Lukisan Sudjana Kerton. Skripsi, Fakultas Seni Rupa dan Desain, ISI Yogyakarta, accepted 28 February 1993; supervised by Aming Prayitno and F. Mursiati. Based partly on interviews with Kerton, who supplied information to the author; it samples paintings of 1978–89 and records Kerton’s own comments on his painting. Full text restricted; chapters I and IV open.

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Thesis · 1993

Tema pada seni lukis Sudjana Kerton

Henry Agung Mardika

Henry Agung Mardika, Tema pada Seni Lukis Sudjana Kerton. Skripsi, ISI Yogyakarta, dated 1993 (accepted 14 February 1994). A study of 25 paintings of 1978–92, with interviews at Kerton’s home on Bukit Dago, Bandung; it finds the everyday life of ordinary people his dominant theme. Full text restricted; abstract and chapters I and V open.

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Book chapter · 1990

Painting the People (Hendra Gunawan, Sudjana Kerton and Djoko Pekik)

Astri Wright

Wright, Astri. "Painting the People (Hendra Gunawan, Sudjana Kerton and Djoko Pekik)." In Joseph Fischer (ed.), Modern Indonesian Art: Three Generations of Tradition and Change 1945–1990. Jakarta: Panitia Pameran KIAS; New York: Festival of Indonesia, 1990, pp. 106–57. The first extended English-language study of Kerton. Wright contrasts three painters of 'the people' and portrays Kerton as a humorous observer of Sundanese everyday life; Kerton pages c. 135–45. Also confirms Kerton's inclusion in the KIAS exhibition that toured the US in 1990–91. Verified by Google Books search-inside and Wright's own 1994 bibliography.

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Press & archives

The contemporary record — newspapers from 1947 to 2025 — used to date and corroborate the biography and the theft register. Summaries are the catalogue's; follow the link for the original.

  1. 1947

    Arnhemsche Courant

    Schilderijen der revolutie te Djogja

    “Schilderijen der revolutie te Djogja”, Arnhemsche Courant, 21 January 1947 (after Antara; via Delpher, KB). Forty-one paintings of the Revolution by Barli, Kerton and Kustiwa shown in Yogyakarta; the three are nicknamed “revolutiemeesters”.

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  2. 1949

    Mimbar Indonesia · Basuki Resobowo

    Indonesia Sudah Melukis

    Resobowo, Basuki. "Indonesia Sudah Melukis." Mimbar Indonesia, 1949. Survey of Indonesian visual art in 1949; NGS indexes Kerton as a subject alongside Affandi, Hendra Gunawan, Zaini and others. A contemporary source from the revolutionary years. Verified from the NGS archive record; text not seen.

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  3. 1950

    Java-bode

    Culturele samenwerking

    “Culturele samenwerking”, Java-bode, 3 January 1950 (via Delpher, KB). S. Kerton, a young painter from Bandung, leaves for the Netherlands at the invitation of Sticusa, with some 30 paintings and 250 watercolours; a later course of study at Tagore’s university in Santiniketan is planned.

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  4. 1951

    Nieuwe Courant

    [Notice of acquisitions, Stedelijk Museum Amsterdam]

    Nieuwe Courant, 20 April 1951 (via Delpher, KB). The Stedelijk Museum, Amsterdam, announces its recent purchase of two works by Indonesian painters, among them S. Kerton’s watercolour Weg naar Versailles.

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  5. 1951

    De Tijd

    Tentoonstellingen

    “Tentoonstellingen”, De Tijd, 30 January 1951 (via Delpher, KB). Watercolours, pastels and pen drawings by Baharudin, Barli, Djaja, Effendi, Kerton, Salim and Zaini at De Moderne Boekhandel, Leidsestraat 70–74, Amsterdam, 13 January – 3 February 1951 — the exhibition the estate biodata lists as “Moederne Boekhandel”.

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  6. 1980

    Tempo · Bambang Bujono

    Humor Kerton Dua Dimensi

    Bujono, Bambang. "Humor Kerton Dua Dimensi." Tempo, 1 Nov 1980; reprinted in Bujono, Melampaui Citra dan Ingatan (2017), pp. 147–50. Critical review of the Taman Ismail Marzuki solo show (21 Oct – 11 Nov 1980; about 40 paintings made since the 1976 return). Bujono singles out humour and Kerton's emphasis on line over colour, compares the work to children's drawing, and notes that Claire Holt's Art in Indonesia omits Kerton. Verified from the Tempo archive (partially paywalled) and Google Books snippets of the reprint.

    Read the source ↗
  7. 1989

    The Jakarta Post · Astri Wright

    Sudjana Kerton Fills Canvases with Scenes of Daily Life

    Wright, Astri. "Sudjana Kerton Fills Canvases with Scenes of Daily Life." The Jakarta Post, 20 Jan 1989, p. 9. Profile covering Kerton's work as an artist-reporter for Patriot and his 1976 return to Bandung. It reports that Sukarno had Kerton's battle paintings brought to besieged Yogyakarta, and describes his humorous, memory-based scenes of Indonesian daily life. Verified from the author's reprint.

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  8. 1994

    The Jakarta Post · Astri Wright

    Sudjana Kerton recorded history of modern Indonesia

    Astri Wright, “Sudjana Kerton recorded history of modern Indonesia”, The Jakarta Post, 21 April 1994. Obituary by the Canadian art historian of modern Indonesian painting: his cousin and first mentor Kendar Kerton and the “S. Kerton” signature; the Revolution years with Patriot; the loss of his early work in 1948; his marriage to Louise; UNICEF’s renewed nomination of his work in 1994.

    Read the source ↗
  9. 1996

    The Jakarta Post · Astri Wright

    Sudjana Kerton: A pioneer of transnationalist identity

    Astri Wright, “Sudjana Kerton: A pioneer of transnationalist identity”, The Jakarta Post, 22 November 1996, published as the 1996 retrospective opened. On his first visit home (1964), the Mexican turn in his colour (1963), and the painting Napitupulu, reproduced in the Sukarno collection volumes.

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  10. 1997

    The Jakarta Post

    19 paintings stolen from art gallery

    “19 paintings stolen from art gallery”, The Jakarta Post, 6 February 1997. The first report of the theft from the Sudjana Kerton Gallery, Bandung: the Bandung police special team, and co-operation with the Jakarta police and Interpol.

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  11. 1997

    The Jakarta Post · Amir Sidharta

    Stolen paintings reflect Kerton's career

    Amir Sidharta, “Stolen paintings reflect Kerton’s career”, The Jakarta Post, 13 February 1997. Reads the stolen works as a survey of his career: Affandi’s 1962 visit and the Mexican year, Sanggar Luhur, and the late village subjects.

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  12. 1997

    The Jakarta Post

    The list of Sudjana Kerton paintings stolen on Sunday night, Feb. 2, 1997

    “The list of Sudjana Kerton paintings stolen on Sunday night, Feb. 2, 1997”, The Jakarta Post, 13 February 1997. The nineteen works with their dates and sizes; it agrees with the estate’s captions except for three details, noted on the entries concerned.

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  13. 1999

    The Jakarta Post · Asip A. Hasani

    Kerton's images of historic Yogyakarta

    Asip A. Hasani, “Kerton’s images of historic Yogyakarta”, The Jakarta Post, 5 August 1999 (with a correction, 7 August 1999). On The Revolution & Evolution of Sudjana Kerton at Museum Benteng Vredeburg, Yogyakarta (26 July – 7 August 1999), curated by M. Dwi Marianto of ISI Yogyakarta: 150 works, many revolution sketches shown for the first time. The correction identifies Tjandra Kerton as his daughter and the gallery as Sanggar Luhur.

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  14. 1999

    Tempo

    Kisah Sang Jurnalis Gambar

    "Kisah Sang Jurnalis Gambar." Tempo, 8 Aug 1999. Review of "Revolusi dan Evolusi Sudjana Kerton" at Benteng Vredeburg, Yogyakarta, 26 July – 7 Aug 1999. It frames Kerton as a picture-journalist who recorded the Revolution in sketches. Verified from the Tempo archive header; body paywalled.

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  15. 2000

    The Jakarta Post · Astri Wright

    Modern master drawings Indonesian style

    Astri Wright, “Modern master drawings Indonesian style”, The Jakarta Post, 8 June 2000. Review of the drawings and watercolours shown at the Mexican Ambassador’s residence in Jakarta, including the sketch for the mural Tanah Airku – My Country commissioned by the Indonesian Embassy in the Netherlands.

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  16. 2001

    The Jakarta Post · Carla Bianpoen

    Sudjana Kerton's virtues exposed

    Carla Bianpoen, “Sudjana Kerton’s virtues exposed”, The Jakarta Post, 16 August 2001. On Di Dalam Oplet (Anatomy of an Oplet) at Galeri Cemara 6, Jakarta: 93 works and reproductions of the nineteen stolen paintings; his revolution sketches of Cirebon (1947) and Bandung (1949); Louise Kerton on their 1953 marriage and the New York years; Sanggar Luhur’s hilltop site.

    Read the source ↗
  17. 2006

    The Honolulu Advertiser

    Finding father: painter Sudjana Kerton's daughter (Marti) helps present his portraits of life to Hawaii

    "Finding father …" Honolulu Advertiser, 25 Oct 2006, p. E1 (photos). Feature in which Marti Kerton recalls her father's life as an artist, published for the Honolulu Academy of Arts exhibition. Verified from the Hawaii State Library newspaper index; text not inspected.

  18. 2025

    Kompas · Cornelius Helmy Herlambang

    Rindu Mata dan Ingatan Pelukis Sudjana Kerton untuk Bandung

    Cornelius Helmy Herlambang, “Rindu Mata dan Ingatan Pelukis Sudjana Kerton untuk Bandung”, Kompas, 22 December 2025. On the Bandoeng Doeloe exhibition at Plataran Bandung, with Tjandra Kerton; dates the 1997 theft to Sunday 2 February and reports that some of the stolen paintings have since come back, though not all have been found.

    Read the source ↗